Rivals of Iran's cultural heritage are still dangerous

Iran Theater-Ali Akbar Abdolalizadeh: Let's go straight to the point of the story. Certainly one of the strategies of Iranian cultural competitors is to create a danger zone for the people, situations and cultural resources of our land. This is not a new and contemporary phenomenon, but it has certainly become more consistent over the last 5 years and the expansion of the concept of colonization and developments along this path.

To accommodate this trend, it is enough to review our various literary and historical sources, for example, “Siasat Nameh” by Khajeh  Nezam al-Malek Toosi, with all the useful chapters in cultural self-knowledge that have turned it into a dangerous book on the pretext of its author's Sunni religion and the accusation of being radical and fundamentalist. The books such as  "Thousand and One Nights" or even Shahnameh .

The danger is posed by competitors about the most influential people in history.So nobody has the courage to approach them,  From scientists to jurists and astronomers and so on. Is there anyone who can make a perfect movie or series  about them? Zakaria Razi, Attar, Khayyam, Rumi and Saadi and  so on why not make a  perfect show  about them? If  it’s made, they would make an incomplete piece of  works about their life or  deal a part of their life that has been filmed thousands of times and by the way, they are never seen in a popular because of  unattractive plot.

This alarm is about  the most important personalities of religious history, from Salman Farsi to Imam Hossein. I don't think there is any more important event in Shiite history than Karbala incident  and there is certainly no such thing as an event in Karbala. Events Contemporary history is also at risk from the terrorist explosion of the Republican Party and the Prime Minister's Office, to well-known enemies and even elite commanders of the sacred defense and scientific, cultural, and sporting leaders of the last 40 years.

Don't forget the fake reconstruction of Iranian history by the entertainment machine of Hollywood's cultural domination that has its own story.

What is the task? There is no way left except to produce cultural content within the structure of the widespread entertaining phenomena with which the mass of the audience communicates. Competitors are trying to push us further away from our cultural roots  so  We can never stand still.