WORKSHOP 3RD YEAR CNSAD - THE ACTRESS LOVE CNSAD (Paris) December 16, 2009

 In the workshops of the 3rd year of the National Conservatory of Dramatic Arts, Michel Fau, comedian seraglio, features students from the class of 2010 in a show entitled "Recalled love.
 This show has been designed from a comedy-drama by Eugene Scribe and Ernest Legouve inspired by the life of an actress of the Comedie French celebrated in the 18th century for its donations to the tragedy, Adrienne Lecouvreur, whose romance with Comte de Saxe earned him the hatred of a rival fatal influence the Duchess of Bouillon.
 Citing stressed in his introductory note the companion which is one of favorite actors, Olivier Py, ( "The Convention is the flesh of the theater, without agreement on the Convention falls into the more conventional: the real") Michel Fau, actor lush rubbing all directories without stigma with the same success of the ancient tragedy in the operetta, has opted for the register of fantasy theatrical plays and theatrical thwarts codes and allows for an exercise in which several actors play the same role in succession, to avoid the parallels and comparisons often eloquent and sometimes fatal.
 And the process is more logical, in fact, the famous actress imposed the game called "natural" break with the declamation inherited from the 17th century and that an act takes place in the foyer of the Comedie French quarrels with of slides.
 Moreover, Michel Fau was inserted between the acts of the scenes of tragedies including "Phaedra" and "Bajazet" of Racine, played by different codes theater since the baroque theater until the Actor's Studio, which continue to confuse and delight the public.
 In sets of painted canvas, perhaps representing the curiosity cabinets and large reception halls, and glittering costumes, young actors bewigged outrageous makeup to reveal their addictions and their nature, operating in a masquerade in the form of Mannerist 'tribute to the theater.
 The show, carried learnedly, is brilliant and this evening benefits Avodo Joris and Jean-René Oudot, in character roles, respectively, the abbot and the steward who consume both of platonic love, of Barbara Bolotner in the irreducible Princess of Bouillon and the diaphanous-Laure Lucile Simon in the role of the heroine expires will doubtless particularly attracted the