Hamidreza Naeimi: Kurdish theater is like a strong tree

Hamidreza Naeimi: Kurdish theater is like a strong tree

Iran Theater-Hamidreza Naeimi, the jury of the 18th Saqqez Kurdish Theater Festival, compared the Kurdish theater as a strong tree that is rooted in the soil of this border and is considered it as part of the identity and of this city, he believed that the continuation of this festival is important ...

In memory of an artist who worked hard for children theater

In memory of an artist who worked hard for children theater

Iran Theater- The director general of dramatic arts, Kazem Nazari and a group of artists attended the opening ceremony of the show "Ketabkhorha/ bookworms" and commemorated the memory of Karim Akbari Mubarake, and spoke of the late artist's efforts for children and youth theater.

Improvisation is the actor's weapon in the Environmental theater

Improvisation is the actor's weapon in the Environmental theater

Iran Theater- Mohammad -Hadi Atai and Mehdi Ziaianpour, the actors of the performance of "Khabarnegar Bi Khabar/ Uninformed reporter", considered environmental theater as a bridge for the audience's reconciliation with stage theater and also emphasized the key role of improvisation in this type of ...

Marjan Pourgholamhossein: Micro theatre expands the theatrical world

Marjan Pourgholamhossein: Micro theatre expands the theatrical world

Iran Theater- Marjan Pourgholamhossein, the author and director of the show "280th Night of the Year", believes that the use of the microtheatre technique broadens the theatrical world and at the same time provides the directors with the ability to add special effects and events that are possible in ...

Ali Nassirian : An actor is a creator

Ali Nassirian : An actor is a creator

Iran Theater- Ali Nassirian says that the actor is a creative artist and should not be considered only as an agent and tool of the director.

Mohammad Mehdi Esmaeili: Our slogan is cultural justice

Mohammad Mehdi Esmaeili: Our slogan is cultural justice

Iran Theater-The 42nd Fadjr International Theater Festival wrapped up successfully on February 1, 2024 in Vahdat Hall. At the beginning of the ceremony the Minister of Culture and Islamic Guidance , Mohammad Mehdi Esmaeili, went on stage and while congratulating Ten-Day Fajr ceremonies and the ...

Theater promotes cultural Diplomacy

Theater promotes cultural Diplomacy

Iran Theater- One of the most important efforts of Dramatic Arts Center of Iran is to consider the theater as a powerful tool to promote cultural diplomacy, which is done with performance, education and research.

Hossein Mosafer Astaneh on

Hossein Mosafer Astaneh on "Resurrection of Love"

Iran Theater- The musical show "Resurrection of Love" is at out of competition section of the 42nd Fadjr International Theater Festival. Hossein Mosafer Astaneh said the story begins with the scene of Rumi's dying, but he comes back to life.

Kamran Shahlaei on “A Few Messy Narratives”

Kamran Shahlaei on “A Few Messy Narratives”

Iran Theater- Kamran Shahlaei’s"A Few Messy Narratives", is performing at Fadjr stage Competition. He says that the play is about loneliness and has three episodes. The cast includes one male actor and three female actors.

Mehdi Hamed –Saghaian: Society needs artists with disabilities

Mehdi Hamed –Saghaian: Society needs artists with disabilities

Iran Theater- The artistic director of the 42nd Fadjr Theater Festival, Mehdi Hamed –Saghaian, pointed out the high capabilities of disabled artists and said that people with disabilities, with a strong presence in this festival, can show their skills and capabilities.

Morteza Zahmatkesh on the 42nd FITF

Morteza Zahmatkesh on the 42nd FITF

Iran Theater-The director of "Gole Bahar" street theater, Morteza Zahmatkesh stated that the quality level of the works in the 42nd Fadjr International Theater Festival has increased.

Mojtaba lalehzari on his new stage directing experience

Mojtaba lalehzari on his new stage directing experience

Iran Theater- The director of "Del-larzeh" (Apprehension), Mojtabi Lalehzari considers this show to be the result of the playwright's concern about forgiveness, and also deals with the fatal accident of the train from Mashhad to Yazd.